damian lays down a challenge: part 1

Damian Walford Davies is writer on the ‘chamber-work with narrator’ (working-title, The Mare’s Tale) commissioned by the Artistic Director of Mid Wales Chamber Orchestra, James Slater, and Mark Bowden is the composer. Damian set me quite a challenge last month.

2001. Clive Hicks-Jenkins catalogue note for his exhibition The Mare’s Tale.

“For many years I made a daily car journey from Newport to Tretower Court near Crickhowell, and in all that time I don’t think that I once passed through the village of Llanover without slowing to a snail’s pace, drawn by the darkly mysterious painting of a Mari Lwyd hung above the post office door. I’d never seen a Mari Lwyd other than in that painted sign, but my father had, and late in life he recounted his childhood terror of the sheeted horror which had come at him out of the night.’

2013: Artlog post re. the first meeting of the production team for the chamber-work The Mare’s Tale:

‘Snow notwithstanding, the past weekend saw the gathering at Ty Isaf of the production team for the first discussions about the Mid Wales Chamber Orchestra project. Damian spoke about the mysterious, though now, alas, ruinously peeling painted image of a Mari Lwyd on the sign above the old post-office in Llanover, and how it inspired him for a location in which to set his narrative. I made a presentation in which I described how we might visualise the production in practical terms.’

January 2013: I suggest to Damian that I might make ‘a version’ of the Mari Lwyd sign, if he thinks it could be useful for the project. He e-mails back:

‘The thought of you recreating that ‘originary’ image as a painting, but in pub-sign format: swoon. This is going to be very powerful, and of immense potential in the production.’

February 2013: after weeks of hunting for images that might show the sign to better advantage, I strike gold. Not with an image of the painting itself, but of an engraving made after it dating from 1867.
Fantastic! And more M. R. James-ian than I’d dared hope. In the next post I’ll explain where the engraving comes from, and how it came to be made.

11 Responses to damian lays down a challenge: part 1

  1. This is all very interesting. I can see this as a triptych developing, somewhere between a pub sign and an altarpiece, in the sense that it is a venerated folk tradition with a strong sense of place. There is something of the arcadian sublime in the engraving.

    • Love the triptych idea. Yes, that’s a rather exciting notion. Thank you, Janet.

      The engraving does have the quality you suggest. But it also has a touch of the M. R. James story The Mezzotint. (Not one to read alone in a big old house at night!)

  2. Love this post, that engraving is fantastic, what a miraculous find! So looking forward to seeing how this develops, fairly mouthwatering prospect seeing what you create, it’s a painting that has to be made by you Clive

  3. Ooh, how exciting! Great bit of detective work there too – you did very well indeed to trawl though the dross of th’interweb to find that gem! I look forward to seeing how this develops…
    Very M R James, as you say. And we, of course, are in M R James’ country! Much love Clive, Paul x

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