The toy theatre I made for displaying in the exhibition has provoked much by way of comment among visitors to the gallery. Certainly a lot more than I’d expected. I made it because I thought it might look good in a large glass display-case that was going spare. Moreover I knew that after the exhibition was over, then it would be useful as a compositional aid in the studio.
People have been kind enough to say that they covet it and would like to be able to go out and purchase one just like it. I fear that’s just not going to be possible as I’m not planning on going into production. However once it’s back at Ty Isaf, friends will be more than welcome to come and play with it.
For the longest time I don’t think I really noticed the frequency with which toy theatres appeared in my paintings. They were lying around the house and studio, so I guess it was inevitable they’d join the list of objects with which I populate my still-life compositions. I thought it might be interesting to assemble them in one spot, though when I came to count them I could see there were far too many to accommodate in a single Artlog post. Instead I’ve selected a few.
All of the toy theatres that serve as models are ones I make myself. Some are tiny, about the size of a matchbox. A couple have been made in ceramic as tea-light-holders. Here’s one.
Also included are a couple of preparatory drawings as stand-ins for paintings that regular Artlog readers may recognise from earlier posts. Finally at the bottom of the page, I’ve included a couple of examples of the miniature type I sometimes use in my paintings. Over the years I’ve made many of these tiny theatres. They hang over the tiny lights of the tree each Christmas, the stages illuminated from within to conjure the season of pantomime magic and mirth.