Callum James wrote his beautiful poem, The Boy and the Wolf, in response to paintings I’d made on the theme of Saint Hervé. In the way of these things, after I read the poem, I began painting again. Now the paintings are inspired by Callum’s poem.
The Boy and the Wolf
I. Hervé is Born.
Born in November
in the short days:
born leaning against
the slanting rain:
born from a frozen prayer
to a bleak God.
Knitted in solitude
in a womb
pricked by a vow and
surprised into swelling.
II. Hervé’s First Sight.
Pushing aside dark earth,
a milk-film
over his eyes:
this small stone of a boy
ate dirt, while the
glory danced white
on blank, black retinas.
III. Hervé Learns About the World.
Grasses by their hissing
and sharp cuts:
fur by its musk
and static crackle:
snowdrops by their tinkling
on his fingertips;
the world attacked him,
was a lightning strike
inside his chest.
IV. Hervé Has Visions.
And in his twilight
a light more sumptuous
seeped in;
a bending tree and he
was fighting dragons,
the broken sun on
rough-topped rivers
and he was rich in diamonds,
smiling mad.
He fell to pray
before the hilltop shepherd
who flexed an angel’s wings:
a cloak that rippled
threadbare in the wind.
V. Hervé Sees The Wolf.
He saw,
the day The Wolf came,
he saw the threat
and the salvation.
He saw the shape of undergrowth:
thicket-dark, triangular,
he saw a head
the shape of a snarl
in heated breath.
VI. Hervé’s Dog is Killed By The Wolf.
What did he see
in the smell of hot-iron
from the slaughtered dog?
What bright colours,
what beauty was in his hands
slipping through
spilled intestines?
What overwhelming, pungent
touch of heaven came?
VII. The Wolf Attacks Hervé.
And The Wolf turned
with the world
around the boy
and teeth the temperature
of ice pushed through skin:
here where the heavy pelt,
muscle-packed, pressed
the boy and his skin tore
breaking the line of holiness
that runs around a saint.
VIII. Hervé Redeems The Wolf.
A blinding alleluia of light
as from the boy
love tumbled,
burst like river-diamonds,
mingling with The
Wolf’s breath,
flooding the grasses, fur,
the snowdrops,
heating the prayer
that made him.
IX. Hervé and The Wolf Together.
That moment hung,
a stopped raindrop,
a never falling leaf
within his soul: quivering.
It abided there.
The Wolf abided
at the centre of him.
X. Hervé Prays
Unable to contain it
all inside, the boy
began to howl;
a voice of red and gold,
a passion, sung like petals
spewing, uncontrollable
from God’s own lips,
and everything that heard him
leaned and swayed
and healed a little
as he lay his head
forever
on the shoulder of The Wolf.
You brought the legend of Saint Hervé to life for me through your paintings Clive. I have greedily devoured tit-bits about him ever since, including cycling through Brittany enjoying the spiritual feeling throughout the land (so similar to Wales on many levels. This poem certainly does Hervé justice. Magnifique!
Thank you, John. I’m pleased I was able to bring you to him. His story and Callum’s poem never fail to have me reaching for my pencils and brushes.
Beautiful words, beautiful paintings, what a feast for us all!xxL
Whenever I recall Callum’s reading of the poem at the Aberystwyth Arts Centre launch of The Book of Ystwyth, my spine tingles.
What gorgeous work…I love all your pieces in this blue and black– you really work the limited palette to its best advantage! And those arches pop you into another dimension!
And another fantastic blog header– that horse is amazing! Perfect!
Thank you, Zoe. The header is the study for the next in the Gawain series of prints, Gawain Arrives at Fair Castle.
So powerful and moving, cannot say any more.
Job done.
It’s a beautiful piece, Lorrie, and moves me every time. Callum read the poem at the launch of The Book of Ystwyth in 2011, and the audience were mesmerised. Not all poets read their own words well, but Callum is one of the exceptions.