I’ve loved Jean Cocteau’s 1946 film of La Belle et la Bête since first I saw it. Loved it, been thrilled, haunted and in thrall to it. I never tire of watching it, sometimes quipping that it’s the film to throw in my coffin to keep me company in the afterlife I don’t believe in.
For the longest time I’d been wondering how best to honour and homage the film. To begin with I toyed with the idea of making a series of paintings, but then together with Joe Pearson at Design for Today – who published Hansel & Gretel last year – hatched a plan to produce an illustrated book in collaboration with the poet Olivia McCannon, who I’d been longing to work with. Joe, Olivia and I are in agreement that neither a straight adaptation of the screenplay nor a picture book version of the film could do justice to our ambitions. We’ve opted instead for what we’re referring to as a reinvention of Cocteau’s masterpiece characterised less as a translation, than a ‘dream’ of the film.
I’ve filled drawing books with preparatory material. Characters and places have been exhaustively explored in order to find versions that will work to best advantage in illustrations. Iconic visual aspects of Cocteau’s Beauty and her Beast In their Christian Bérard costumes have been pored over, their shapes, textures and design characteristics examined, simplified and reconfigured so as to work graphically on the page. I’ve built maquettes and three-dimensional model sets to help with my compositions.
With the groundwork done, I begin the real work of construction. There’s no dummy yet, but I estimate forty illustrations. Time to get busy!