The Giant Horse or The Siege of Troy

In 1985 Pollock’s Toy Theatres Ltd published a facsimile of one of the most ravishingly beautiful of Orlando Hodgson’s plays for the toy theatre, The Giant Horse or The Siege of Troy. Hodgson’s sheets were published in 1833, engraved from original ink and watercolour drawings by Robert Cruikshank (1789 – 1856), caricaturist and lesser known brother of George.

Robert Cruikshank drawing for Orlando Hodgson’s Giant Horse of Troy

Pollock’s Toy Theatres Ltd used a copy of the the play from the V&A Theatre Collection, producing it in an edition of 500, of which mine is numbered 456. The original ten sheets were enlarged so as to fit Pollock’s Redington stage front, and the edition included the original script and a leaflet of the history of the production, packed into a large paper and card envelope.

Pollock’s 1985 reproduction of The Giant Horse of Troy

Hodgson & Co had been a forceful presence in the world of printing for the toy theatre, producing between 1821 and 1825 close on seventy titles. But perhaps the pace and ambition had over-extended the business, because it then passed into other hands.

Robert Cruikshank drawing for Orlando Hodgson’s Giant Horse of Troy

Enter Orlando Hodgson, who emerged to relaunch the family business and reputation. After a slow start as a printer of ‘fancy stationary’, he reverted to the family tradition of publishing sheets for the toy theatre, and between 1831 and 1835 produced full productions of Aladdin, Chevy Chase, The Miller and his Men, The Maid and the Magpie, The Giant Horse and The Forty Thieves.

Robert Cruikshank drawing for Orlando Hodgson’s Giant Horse of Troy

The beauty of Orlando Hodgson’s toy theatre sheets notwithstanding, the rough and tumble of a trade in which others undercut and undermined his business by producing prints that were smaller and cheaper, were discouragements he couldn’t live with, and The Forty Thieves was his last title.

It’s sometimes said that the printmaker West, who came after Hodgson, surpassed him in terms of artistic merit, and that might be engagingly debated. He certainly made more of a success of his business. But for me, the Hodgson sheets have a delirious extravagance that remains hard to beat, and the Cruikshank drawings for The Giant Horse are proof of the lengths to which Hodgson went to ensure that the translation from drawings to printed sheets, were meticulously done.

Robert Cruikshank drawing for Orlando Hodgson’s Giant Horse of Troy

2 thoughts on “The Giant Horse or The Siege of Troy

  1. Such delightful drawings, beautiful illustrations, they remind me of the old maps, possibly illustrated by the same artists. They really transport you into a different world. xx from an autumnal August in France xxL

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