I’m both honoured and very happy to have been asked by Simon Armitage to create the logo of his ‘Laurel Prize’ for eco-poetry, an annual award that’s been launched today by Sally Carruthers, executive director of the Poetry School.
My early sketches had included a stash of drawings of an ark, its rainbow replaced with arching branches of laurel.
But at the last minute I roughed out a single sketch of a paper boat adrift on rough water. Simon wrote back:
So the paper boat was given the go-ahead by the organising team and several trial versions later –
– the finished render was agreed that has become the symbol of the new award.
Simon writes in today’s Guardian newspaper:
“Ted Hughes was often seen as being unfashionable for his nature writing and it was something he doggedly persevered with, to the point where he was a campaigner as well at low levels. It’s interesting to me that poetry has been able to swing back in the direction of nature; it didn’t fit in with a lot of the psychologies of the 60s and 70s and 80s, it wasn’t metropolitan, and maybe attached itself to the Romantics – Wordworth and Coleridge and particularly John Clare. Now nature has very much come back into the centre of what poetry can, and should, be dealing with.”
Sometimes here at the Artlog, the most interesting things get written not in the posts but in the comments. ‘Keviniz’ wrote to me: “Love seeing the development of your finished piece. Thinking through your changes was like choosing words and images in poetry. Wonderful!”
Bernie wrote: Wonderful, it also reminded me of the points of a star.
“I keep on thinking what a nice animation might one day be made showing the wind of climate change tearing the pages from an open notebook, one of which blows through an open window and onto the desk of a poet who writes a poem on it that gets snatched away by a thieving magpie before dropping onto a beach where it’s found, folded into a paper boat and set upon the waves by a child!”