A detail from my painting The Prophet Fed by a Raven is on the cover of the novel Cai by Eurig Salisbury, awarded the Gold Medal for Prose at last week’s National Eisteddfod. The book is published by Gomer.
Eurig Salisbury, winner of the the Gold Medal for Prose, National Eisteddfod 2016.
Of all the paintings I’ve made, this one has probably been on the most interesting journey. Since it was shown at MoMA Machynlleth in my Saints and Their Beasts exhibition in 2007 it has lived in the home of its owners in the USA, though thanks to their generosity it returned to Wales for my Retrospective in the Gregynog Gallery of the National Library of Wales in the Summer of 2011.
In 2010 the painting had a surprising outing onto the cover of the journal Emerging Infectious Diseases. (This was at the suggestion of a friend who would be embarrassed to be credited for her kindness here, but it must be acknowledged nevertheless, albeit without revealing her identity.) Some time later the painting appeared in a calendar issued by the journal
When in 2013 Oxford University Press published a collection of essays and covers from the EID, The Prophet Fed by a Raven was selected as the cover image.
Back at home in North Carolina it came out of it’s frame to be photographed –
– to generate an image large enough for a display in the exhibition of EID journal covers at the David J. Sencer CDC Museum in Association with the Smithsonian Institution. (More thanks here, this time to the owner of the painting who went to untold troubles to get it to the photographer and back.)
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In 2010 it appeared between the covers of a a weighty tome, Biblical Art from Wales, edited by Martin O’Kane and John Morgan-Guy.
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Anita Mills, who wrote so thoughtfully about my drawing practice in Clive Hicks-Jenkins: a Monograph (Lund Humphries 2011) presented a swift, entertaining and insightful deconstruction of the painting that completely took me by surprise. Click on THIS link to read it.
Marly Youmans wrote a beautiful poem in response to The Prophet Fed by a Raven that can be read HERE.
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I like the idea of a painting of mine travelling and having adventures. I’m gratified that people see it who have no idea who I am. For them there is just the prophet, the flaming raven and the scattering of sheep on the Welsh hillside beyond. I don’t think an artist could ask any more of a painting than to be out there and speaking for itself.
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For Z.B., M.Y. and A.M., my friends across the ocean.
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