With so many projects on this year, I’ve had to spread my working spaces throughout the house. The attic studio has been designated Hansel & Gretel territory, mainly because there are two tables up there and I can move between them. I make monoprint collage papers at one, and keep the other a ‘clean’ desk (the term is relative) for the drawing work.
Whenever work is underway, the studio goes uncleared until the project is done. Right now it’s in such a mess that Jack and I have to negotiate its spaces via designated cleared paths. Piles of completed illustrations… protected with sheets of transparent-paper, I hasten to add… teeter on stools and spill over the floor, while from day-to-day the desk holds whichever image is underway.
The picture-book has been a long project. (Longer than I’d anticipated, and I’m grateful to Simon Lewin of St. Jude’s for his patience.) Long in gestation, in the creation of the characters and their maquettes and in the design of the book in its dummy-form.
Certainly long in rendering the final illustrations. ‘Hansel & Gretel’ is to have panorama fold-out spreads interspersed throughout, and the design and careful alignment of them is a time-consuming though immensely enjoyable process. It’s been fun to make the fold-outs equate to the ‘shock moments’ in a horror film.
But what I’ve most relished about this, is that unlike my work on previous book projects when I’ve been called upon to ‘decorate’ texts, Hansel & Gretel has been pure story-telling through the medium of images. What few words there are been confined to those the characters say, kept brief and straight forward and hand-lettered into the images to become part of the page designs.
I’m on the final push of completing the drawings. Come June they will be packed and dispatched to Simon, at which point the processes of scanning and layering with colour can begin. This has been and will no doubt continue to be a learning curve for me. It fulfils a life-long ambition of mine to have told a story entirely through pictures. As a narrative artist, at my easel I’m always looking to layer paintings with multiple meanings in order to suggest underlying narratives. I do much the same when called upon to make an image for a book cover. But here the visual narrative is extended and intense and has been wonderful territory to explore. I am definitely the old dog learning new tricks!