My work on the forthcoming Pollock’s Toy Theatre of Hansel & Gretel is all but done. Yesterday I packed the nine boards of original artwork in a stout card box and dispatched them via Parcelforce to Benjamin Pollock’s Toyshop in Covent Garden. When scanned, printed and packaged as an assembly kit, this third in the series of Pollock’s ‘artist designed’ model theatres will comprise of six A4 cards in a pretty, embossed Pollock’s folder, complete with detailed construction notes.
There’s a proscenium arch and everything needed to build the stage, two ‘house-curtains’ (one for the beginning and another for the curtain-call), backdrops and cut-cloths for the six scenes that make up the play I’ve written to go with the theatre, and twelve characters to bring the story to life. Standing at some ten inches high when constructed, while not a miniature it certainly qualifies as small, though I hope the attention to detail in it will make this toy theatre feel big in spirit.
Below: backdrop for Inside the Witch’s House
It’s been a tremendous honour to be chosen for the project. The theatre curtain of the model bears Benjamin Pollock’s name, a responsibility that has made me occasionally blanch at the thought of the weight of his reputation on my shoulders. At every stage of the journey – it’s been over eighteen months since I received the commission to create the Hansel & Gretel theatre – I’ve worked to make this contemporary contribution to the Pollock’s aesthetic one that I would be happy to lay before him. I feel as though I’ve achieved this entirely personal goal, though ultimately that will be for others to judge.
Hansel & Gretel
coming soon to